Leonardo Alcudia
Founder · General Director
Runs the infrastructure and the operation: owned inventory, technical structure, and the ability to answer in market.
Mérida · Cancún · Riviera Maya · Los Cabos
Touring-grade production,already on the ground
Meyer Sound PA, lighting, LED wall, rigging and technical direction, out of our own warehouse in Mérida and run by our own crew. One call from the advance through load-out.
Send the rider, get a formal quote back in 24 hours or less. No cost, no obligation.
Audio · Lighting · LED · Staging · Rigging · Power · Crew
What we own, and what we can put on site
House stock leaves Mérida on our own trucks. Where a figure includes partner capacity, the owned share is stated right next to it — and the cross-rental is our job to coordinate, not yours.
- PA systems in house
More than70loudspeakers
Meyer Sound line array, subs and front fills · European-built RCF as the second system
Two complete systems. The Meyer covers touring hangs; the RCF covers everything else on the calendar. We size the hang against your rider.
- LED wall available
More than9,600sq ft
In 3.9 and 2.6 mm, for indoor or outdoor use
1,600 sq ft owned · 8,000 sq ft through a partner house in market
The 1,600 sq ft ships from our warehouse. The rest is reach through a partner house in Mérida, confirmed on the quote.
- Rigging and ground support
More than120motors
Certified Tomcat ground support, 59 × 41 ft at 39 ft trim
55 motors owned · the rest through a partner house in market
What flies the audio, the lighting and the wall.
- Where the trucks are based
3markets
Mérida · Cancún and the Riviera Maya · Los Cabos
Mérida holds the warehouse. Cancún and Los Cabos get their gear on our own trucks.
We own across every department: audio, lighting, LED, staging, rigging, power and crew. Where a figure above includes partner capacity, the owned share is stated next to it, and anything cross-rented is named as such on the quote — never passed off as house stock.
Gear we run
Main line array system
Italian powered line array
RF and in-ear monitoring
grandMA consoles
Ground support and truss
Ship the show. Leave the PA at home.
Trucking a system into the Yucatán costs you freight, a customs broker and transit days, and it ties up inventory you could be working at home. The rig is already here, and it goes out most weekends with the engineers who know it.
- Meyer Sound PANTHER and LYON line array with LFC-1100 subs and Galileo processing
- Shure Axient Digital RF and PSM1000 in-ears, touring spec
- Yamaha CL5 and DM7 with RIO racks; dLive 7000 and Midas M32 as a second package
- FOH, monitor and systems engineers on staff, not booked freelance the week of
We advance riders in English and answer in English.
Send the riderThe house PA is Meyer Sound
Line array, subs and front fills for touring, in the Mérida warehouse, with our own engineers.
Two PA systems, both in the building
Meyer Sound for touring hangs. RCF, European-built, for everything else on the calendar.
Both systems live in the Mérida warehouse, move on our own trucks, and go out with a FOH engineer, a monitor engineer and a systems tech. Nothing in this list gets sub-rented on the day of.
RCF · HDL30-A
European-built · Reggio Emilia, Italy
RCF is European: it has been building loudspeakers in Reggio Emilia, Italy, since 1949. The HDL30-A is a powered two-way line array with amplification and processing on board: it flies, it aims, it works, and there are no amp racks on the deck. It covers corporate, conventions, mid-size festivals and any show that does not call for the full Meyer rig.
| Gear | What it does |
|---|---|
| Meyer Sound PANTHER | Full-range touring line array |
| Meyer Sound LYON | Full-range line array for mid-size hangs |
| Meyer Sound LFC-1100 | Cardioid low-frequency control element |
| Meyer Sound UPJ | Front fill for the first rows |
| Meyer Sound Galileo | GALAXY 816 and CALISTO 616 for system alignment |
| RCF HDL30-A | Powered two-way line array, amps on board |
| RCF 9006-AS | Powered subs for the RCF system |
| Yamaha CL5 and DM7 | FOH and mons, with RIO 3224 stage racks |
| Allen & Heath dLive 7000 · Midas M32 | Second package for mons or a B stage |
| Shure Axient Digital | Receivers, handheld and bodypack transmitters, AD600 spectrum manager, distros and helical antennas |
| Shure PSM1000 | Touring-spec in-ears: racks, distros, antennas and P10R packs |
| Stage wedges | Yamaha DHR15m and DXR12 mkII, DAS Road 15 |
Certified Tomcat ground support
What holds the show up when the room has nothing to hang from.
Tomcat is the structural standard on international touring. Ours goes up against a signed drawing before the first truck arrives: load points calculated, towers plumb, and a grid braced in both directions. In a room with no steel, this is what turns a courtyard, a plaza or a ballroom into a stage that can carry audio, lighting and wall overhead.
- Width
- 59 ft18 m
- Depth
- 41 ft12.54 m
- Trim
- 39 ft12 m
- Truss
- 20.5 × 20.5"box truss
Structural isometric The grid is not a single cross — it is braced both ways.
Load points and motors Every pick calculated and placed before the build.
The drawing goes out before the build, not after. That is what lets the venue and the producer sign off without an argument.
Every department under one roof
Audio
- Meyer Sound PANTHER and LYON line array with LFC-1100 subs
- RCF HDL30-A European powered line array as a second system
- Yamaha CL5 and DM7, Allen & Heath dLive 7000, Midas M32
- Shure Axient Digital RF, PSM1000 in-ears, full Beta and KSM mic package
- FOH, monitor and systems engineers on staff
Lighting
- Moving heads: wash, spot, beam and hybrid
- grandMA and ChamSys consoles
- Lighting design and pre-programming
- IP65 architectural fixtures
- Follow spots and atmospherics
Video and LED
- Indoor and outdoor LED wall, 3.9 mm in house
- Novastar VX400 and VX1000 processing
- Projection
- Cameras and IMAG
- Media servers
Staging, power and crew
- Tomcat ground support and truss
- Stages, risers and barricade
- Generators and power distribution
- Riggers, stage hands and loaders
- Technical direction and production management
- Trucking between markets
Final configuration depends on the rider, the venue and the scope of the show.
The part of the job nobody photographs
Front of house and back of house — the layer that takes the weight off the person producing.
Front of house is the advance: venue scouting, plots, comms for the whole team, one-lines and signage. Back of house is the load-in and load-out, the forklift and genie work, the build, the strike, and solving in the room what the drawings did not catch.
Every circuit labeled before anything is energized
Every RF channel numbered in its foam
Extinguishers counted before doors
Comms and headsets for the whole crew
Our own power, tied in on site
Heavy picks on our own equipment
None of these are show photos. All of them are from the hours when the show gets decided.
Three steps. No runaround.
- 01
Send the rider
We read it, size it and tell you straight whether we cover it end to end.
- 02
Quote in 24 hours
Broken out by department, with a load-in schedule and clear terms. No fine print.
- 03
We build it
An assigned production manager runs the load-in, the build, checks, show and load-out.
Start on WhatsApp
One technical contact, an advance done properly, and a crew that can think on its feet when the day asks for it.
Shows we have been on
These productions belong to the professional history of Leonardo Alcudia and Víctor Sustaita. That is the experience behind the company today.
Jonas Brothers
Sol Fest
Ricky Martin
Usher
Cancún Jazz Fest
Sol Fest
Country Fest
Foreigner
Rick Astley
Rox Fest
Plan Estatal
From the people who hired us
Best show we've had in Mexico I can't remember in how long. You guys kicked a**.
The crew worked fast and very professionally to give us a great event with the short amount of time we had.
Excellent work, every time. I've found a partner I can count on, whatever the hour.
It has never mattered whether the room holds 10 people or 3,000. The attention to detail is the same.
The track record behind the operation
These productions belong to the professional history of Leonardo Alcudia and Víctor Sustaita, including the years they spent at Audiosystems del Sur. That is the experience behind the company today.
Tours and concerts
- Ricky Martin
- Elton John
- Aerosmith
- Linkin Park
- Maroon 5
- Andrea Bocelli
- Marc Anthony
- Laura Pausini
- Usher
- Maluma
- Backstreet Boys
- Café Tacvba
Festivals and sport
- LIV Golf Mayakoba 2023 · 2024
- Jonas Brothers Cancún 2024
- Cancún Jazz Fest 2017–2023
- Punta Cana Jazz Fest 2022 · 2023
- Sol Fest Cancún 2018 · 2021 · 2022
- Rock The Riviera 2017
Conventions and corporate
- Cancún Airport T3 opening 2016
- Cisco Live 2015 · 2016
- Mary Kay Mérida 2016
- HSBC Leones 2013–2019
- Fuller 2013–2018
- Grupo Modelo
Víctor Sustaita
Production · Sales and operations
Producer of concerts, festivals, conferences and conventions, on his own productions and on tour.
Christian artists and ministries
These productions belong to the professional history of Leonardo Alcudia and Víctor Sustaita. That is the experience behind the company today.
Miel San Marcos tours
We have coordinated and supplied the technical production for Miel San Marcos tours through Monterrey, Saltillo, Torreón, Nuevo Laredo, Durango, León, San Luis Potosí, Toluca, Veracruz, Villahermosa, Campeche, Mérida and Cancún, among other markets.
Productions for
- Marcos WittMérida · Foro GNP
- Christine D’Clario
- Redimi2
- Sarai Rivera
- Alex CamposCancún · Mérida
- Marco BarrientosCancún
- Samuel HernándezCancún · Campeche · Champotón
- Alex ZurdoTabasco · Chiapas · Mérida
- Grupo RojoTabasco · Mérida · Chiapas · Veracruz · Cancún
- BarakMérida
- Danilo MonteroGuadalajara
- FunkyPlaya del Carmen
And many more.
What a worship tour asks for, and why it is not a rock show
A worship rider looks very little like a band rider, and that is where most vendors come up short. Here is what changes:
A crowded stage
Full band plus the worship team and singers. That is far more bodies and far more monitor sends than a four-piece show.
In-ears for everyone
The whole worship team works on in-ears end to end. The PSM1000 package covers the stage and the singers without splitting borrowed mixes.
Wall for lyrics, not only IMAG
The room sings along. The wall carries live lyrics and changes content every song, with its own operator and its own processing.
The pastor's microphone
Beyond the artist there is a pastor, a host and the ministry moment. Those are RF channels coordinated separately, and they cannot drop out in a quiet room.
Lighting that follows, not competes
There are show moments and there are ministry moments. The programming has to come down without going dark, and that gets decided with the worship leader before the build.
Load-in against the clock
Many dates land in rooms rented by the day or in churches on a schedule. The load-in is planned to get in and out inside that window.
Send us the rider for the artist or the ministry and we send back a proposed counter-spec, at a special rate.
Church conferences, artist tours and worship nights run on their own calendar, their own budget and their own build. Christian Yáñez handles this line.
Message Christian YáñezWhere the trucks go
Mérida, Yucatán
Headquarters and warehouse
Where the inventory lives and where the trucks roll out.
Cancún and the Riviera Maya
Full inventory in market
Same-day reach to hotel zone venues and the resort corridor.
Los Cabos, Baja California Sur
Growing operation
High-profile dates on the Pacific resort side.
Wherever the show is
Case by case
Mexico City, the Dominican Republic, Arizona. We look at each one on its own terms.
Who to call
Leonardo Alcudia
General Director
Infrastructure, inventory and in-market capacity.
WhatsApp +52 993 202 3308Víctor Sustaita
Production · Sales and operations
Riders, quotes, tours and production coordination.
WhatsApp +52 998 280 4731Christian Yáñez
Christian artists and ministries
Tours, conferences and church events.
WhatsApp +52 998 214 0995
Billing and administration: fermataadmi@gmail.com
What producers ask before they book
Can we work off your PA instead of shipping ours to Mexico?
Yes, and it is why the audio inventory runs deep in both brands. A production coming from the United States or from central Mexico saves freight, customs brokerage and transit days by working off the rig already in market: Meyer Sound PANTHER and LYON, Shure Axient Digital RF, PSM1000 in-ears, and Yamaha CL5 or DM7 desks, with our own FOH and monitor engineers. Send the rider first and we confirm coverage line by line.
Do you advance riders in English?
Yes. Riders, input lists, patch sheets and stage plots go back and forth in English, and the quote comes back in English broken out by department. Show day runs in English with the touring party as well.
What sound systems does Fermatta own?
Two complete systems. Meyer Sound is the main rig: PANTHER and LYON line array, LFC-1100 subs, UPJ front fills and Galileo processing. The second is RCF, European-built: HDL30-A powered line array with its 9006-AS subs. Control is Yamaha CL5 and DM7 with RIO racks, plus Allen & Heath dLive 7000 and Midas M32. RF and in-ears are Shure Axient Digital and PSM1000. We size the hang against your rider and the room.
What happens when a show calls for more than you own?
We cross-rent it from partner houses in Mérida and coordinate it ourselves, so you still deal with one technical contact and one quote. Anything that comes in that way is named as a cross-rental on the quote instead of being passed off as house stock, and it is confirmed before you sign. It is most common on LED wall above 1,600 sq ft and on large motor counts.
How far ahead should we book a date in Cancún or Mérida?
For fourth-quarter dates in the southeast, lock in between September and October — that is when system and crew availability in Mérida and Cancún runs out. Outside high season, four to six weeks is usually enough. Short-notice dates get checked against the real warehouse calendar before we say yes.
Do you cover Los Cabos and markets outside the Yucatán?
Yes. The three home markets are Mérida, Cancún and the Riviera Maya, and Los Cabos, and the inventory moves on our own trucks: two Freightliner M2s, two Ford F350s, a Sprinter and a forklift. Other cities are quoted case by case on scope and schedule.
How large an LED wall can you build?
About 1,600 sq ft of 3.9 mm wall is in house, with Novastar VX400 and VX1000 processing. Together with a partner house in Mérida we reach more than 9,600 sq ft in 3.9 and 2.6 mm. The owned share and the cross-rented share are both named on the quote. Final configuration depends on venue structure and viewing distance.
Can our production company run a show in Mexico with you as the local vendor?
That is a large part of the calendar. Fermatta works as the local technical partner: inventory, crew and trucking on our side, the rider advanced before load-in, and your creative team running the show. Nothing gets shipped from central Mexico and no technical staff has to be housed.
